Letterpress Working process

There is something deeply satisfying about working with letterpress. Unlike digital design, where everything is precise and predictable, letterpress invites a sense of discovery. The weight of the type in my hands, the smell of ink, the rhythm of the press—it all makes the process feel alive.

At first, I approached the process with caution, carefully arranging each letter, adjusting the ink, and ensuring perfect alignment. But as I worked, I realized that the beauty of letterpress is in its imperfections. No two prints are ever exactly the same. The pressure of the press, the slight shifts in type, the texture of the paper—each element adds its own character.

Printing became more than just a method; it became an interaction between control and chance. Each step, from typesetting to inking to pulling the final print, required problem-solving and adaptation. There were challenges—uneven inking, misalignment, unexpected textures—but overcoming them made the final results even more rewarding.

What I love most about letterpress is its physicality. It is not just about making something visually appealing; it is about feeling the process, learning from mistakes, and embracing the unexpected. Every print carries the marks of the making, and that is what makes it unique.

Here are some moments from my working process:

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